Prochains vernissageset expositions :
Appels à projets :
Home —» For an infinite negotiation of adjusted considerations by Marie Chênel
For an infinite negotiation of adjusted considerations1
Entitled “Wild Diplomacy”, the current exhibition at the Centre international d’art et de paysage, Vassivière brings together the work of…
Home —» by Lou Ferrand
Home —» Fossile Futur by Lola Fontanié
Interview with Grégoire Pérotin and Simon Dubedat (Fossile Futur), and Antoine Beaucourt (In extenso) by Lola Fontanié
December 2022
Lola Fontanié: Can you…
Home —» by Katia Porro
Home —» by Elsa Vettier
Home —» by Clara Guislain
Home —» by Marie Bechetoille
Home —» 5 montages of citations as an attempt to understand a situation between 3 mountains by Théo Robine-Langlois
1) the door’s blue color changed it’s more intense now
being fresh (colloquial)
Home —» I have known what you will never know again by franckDavid
I don’t know Raymonde Morin, I don’t know Bernard Fournier, I don’t know Jean-Marc Gébelin not yet either Françoise Simont. These four are strangers to me, yet not to each…
Home —» Autumn, Autonomy, Crazy Chestnuts, Dead Leaves by Lætitia Paviani
Ethan Assouline’s exhibition “La médiathèque autonome” at La Tôlerie took place in the autumn of 2022.
One could believe that seasons have existed since forever, as they…
Home —» The 16th Lyon Biennale of Contemporary Art: a Manifesto of Fragility? by Tania Hautin-Trémolières
A biennial is often a sprawling event. Dense, immense, dispersed. The Lyon Biennale of Contemporary Art is no exception to this tentacular disposition. Its 16ᵉ edition, conceived by the curatorial…
Home —» “Mood Ring” – Martin Kersels by Katia Porro
The more I think of the title “Mood Ring” the more I am convinced that there exists no other phrase more appropriate to entitle an exhibition. Because an exhibition…
Home —» “OK OK K.O” - Julie Sas by Katia Porro
When I visited Julie Sas’s exhibition “OK OK K.O” at Treignac Projet, I was in denial of anger. I rejected the feeling, believing it was truly a waste of energy,…
Home —» To record and testify by Sophie T. Lvoff
For Thea Djordjadze’s first major presentation in France displaying more than sixty artworks, produced between 1993 and 2021, the gestures in the rooms needed to be powerful, forceful, even. I…