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—» Gyan Panchal - Rompre l'orbe
by Elsa Vettier

Within an hour, it’s over; you’ll see nothing more. Three hours of an afternoon only, but the night falls early over the Vallée de la Graine and there is no…

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—» The launch of La belle revue number 8

We are pleased to invite you to the launches of La belle revue number 8. Meet us at the following events:

- Saturday, March 31^st at 4:00 pm at La…

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—» En Crue - 90 ans de Moly-Sabata
by Marina James-Appel

Under the windows of the Moly-Sabata residence, the Rhône occasionally leaves its bed. It covers the quays, pushes the doors of the houses and ventures as far as the fields,…

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—» Belly Talkers and Other Ventriloquists
by Josselin Vidalenc

Cas de figures by Julie Sas is a stage installed at art3. It is accessed by first walking through a reception area and down three steps. The walls are…

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—» Diann Bauer – Scalar Xenobodies
by Patricia MacCormack

Diann Bauer belongs to a movement which currently challenges some of the persistent humanist and essentialist approaches in posthumanism and also incorporates issues facing minoritarian bodies. This movement, known as…

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—» Le Magasin des horizons
by Charline Corubolo

One Day, Le Magasin Changed Its Name

To describe the last years of Le Magasin, the Centre National d’Art Contemporain de Grenoble as agitated is a gentle euphemism. There was…

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—» Sirène et Sirènes by Suzanne Husky
by Jill Gasparina

It is hard not to be disconcerted at the discovery of the world of professional mermaids. For me, the very idea that an activity of this kind exists is…

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—» Le monde ou rien
by Leïla Couradin

Le monde ou rien, presented at the Gac Annonay, is the third chapter in a series of eponymous collective exhibitions whose first two editions were presented at the…

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—» Interview with Pedro Barateiro
by Yoann Gourmel

The work of Pedro Barateiro (born in 1979 in Almada, Portugal, lives and works in Lisbon) offers a vision about the current state of western culture in times of advanced…