—» Cénozoé, An Installation by Marie Dechavanne by Pauline Lisowski
The encounter with a site, sometimes in transition, between city and nature, guides Marie Dechavanne in her creative process. She sees the discovery of materials and her interest in the…
—» Margot Pietri – The Joy of Getting Your Hands on Lost Techniques by Henri Guette
Beyond a potential signature, graffiti attests to communication, as a geographic or temporal indication designed for a reader or a minimal piece of information destined to enter the fabric of…
—» Damien Fragnon – One Laboratory Can Hide Another by Romain Noël
Several months ago, I hit the road to go see Damien Fragnon’s exhibition Les falaises traversent nos mains [Cliffs Traverse Our Hands]. Several minutes after my arrival, a stranger approached…
—» Innsmouth by Pierre Unal-Brunet – The Dark Edge of the Woods by Camille Azaïs
‘Western civilization literally cleared its space in the midst of forests,’ writes Robert Harrison. ‘A sylvan fringe of darkness defined the limits of its cultivation, the margins of its…
—» Anna Holveck – The Music of the Milieu by Raphaël Brunel
Early December, Thiers. In front of the Usine du May, the deafening roar of the waterfall.
With a background in the fine arts, singing, and electro-acoustic composition, Anna Holveck…
